Nationalist narratives are foundational to the construction of collective identity and often operate through the establishment of binary oppositions that define who belongs and who is excluded. In the context of India, the intricate interplay of historical, social, and political forces has shaped nationalist discourses that frequently rely on gendered dualities to articulate national aspirations and cultural values. This article critically dissects the pervasive "binaries" embedded within Indian nationalist narratives, with a particular focus on how gendered identities are constructed, mobilized, and constrained. Drawing upon theoretical frameworks of nationalism, identity politics, and feminist critiques, this analysis examines the public/private divide, the masculinization of the nation, and the prescribed roles for women within the nationalist project. The findings reveal that these binary constructs are not merely descriptive but are active instruments in shaping power relations, reinforcing patriarchal structures, and influencing the very fabric of national belonging. Understanding these deeply ingrained dualities is crucial for a comprehensive appreciation of India's socio-political landscape and the ongoing contestations over identity.

This paper, written on the auspicious day of the inauguration of the Lord Shiva’s temple within the premises of the Center for Nepal and Asian Studies (CNAS), Tribhuvan University (T.U.), Kirtipur, Kathmandu, focuses on the role of the CNAS in the promotion of literature and cultures, and highlights the academic importance of CNAS for T.U. It is centered on the festival of Shiva Raatri. Culturally, Lord Shiva is revered as the Lord God of Gods and Goddesses (Devo Ka Dev Adidev and Kalo Ke Kal Mahakal). Shiva’s philosophy guides human intellect, wisdom, and knowledge in the search of the essential meaning of life. It has applied a qualitative research approach and engages readers in understanding the true essence of such exploration. What does the research analyze? It reflects one’s own self-image, shining through the presence of Lord Shiva’s temple (Tattva Gyanaeshwar Bhagawan) in the CNAS courtyard. In short, it culturally encourages envisioning and understanding the self-identity through the divine grace of Lord Shiva’s teaching. It symbolizes an inner lighthouse, guiding from darkness to light, from illusion to reality, and from mortality to immortality. Recognizing His divine presence fosters power and courage and elevates one's mind, character, and moral stature.